The advertising years
One plan, run under every brand. Pick one and read it start to finish.

New customer acquisition
The planning that ran first, then the work it produced.
Enter to read it, arrows to move.

New customer acquisition
The planning that ran first, then the work it produced.
I ran acquisition on a subscription product. Below is the planning that happened before anything was made, and then the work it produced, taken a few pieces at a time.
What carried over
The slot at the top of this brand is a specification and I did not know that at the time. A row of it says who has the problem, what the problem is and the one thing that resolves it. That is exactly what I write before I build a feature.
What carried over is the discipline of the second column. A worry with nothing specific against it becomes a question instead of work. Answering that question first is most of what stops me building the wrong thing.
How the weeks were planned
Every week opened as empty slots
Each slot was filled the same way before anything was made.
The slot
The concept calendar, field by field, recreated without the client in it.
- 1Audience
- Who the piece is for, one group at a time
- 2Pain point
- What is in their way
- 3Solution
- The one thing that answers it
- 4Creative type
- Whose voice carries it: a real person or the brand
- 5Asset type
- A film or a still
Week by week
What went out, week after week
A sample of each week, in order, from the folders the work was delivered in.
- A comparison, a phone call, quieter new versions







- City guides, a standby offer, the first nurse testimonials








- The travel nurse, in carousels and short films








- A home tour, and the carousel iterated








- Branded stills in every size, moving listings








- A day in the life, and the flexible stay








- The price on the photograph, short branded films








- Remote work by city, and a twelve month stay








- Contract workers, and the pros and cons of a city








- Captioned cutdowns, and contract worker pros and cons








- A quality checklist, a holiday post, a nurse compilation



- Contract worker stills, and the price iterated






- Home renovators, summer cities, nurse cutdowns








- Two series for the brand’s own page: a city and a campus






Before anything was shot
The storyboard, before anything was shot
What happens, in what order. Then the film it became.
Beat 1
Beat 2
Beat 3
Beat 4
Beat 5
Beat 6
The films
Four ways to earn the first second
At first sight nobody has agreed to listen yet.
- None of these opens by explaining.
- Each one takes a different route into the same problem.
- One names it outright.
- One refuses to look like an ad at all.
- One offers a list and one opens by telling you what is wrong with the thing it is selling.
- 1Names the problem in the first line and moves to the booking screen before the sentence has finished.
- 2A day in the life, told in ordinary moments.
- 3A list piece.
- 4This one opens on the reasons not to.
Four ways to be believed
Once somebody is paying attention the problem changes.
- Now the piece has to be believed.
- Two of these hand the argument to a person and two hand it to the product.
- Which one carries it was the first decision I made on every concept.
- 1A remote worker talking to camera.
- 2A named member, in uniform, in his own place.
- 3The real search interface, moving.
- 4Led by the screen.
Four that hand the argument to somebody else
None of these four argues in its own voice.
- Two are set like a magazine page.
- One borrows the competitor’s own price and one borrows a customer.
- Each of them has to follow the borrowed line with proof of its own.
- That follow through is the thing to watch.
- 1Opens on a press quote over a building shot.
- 2Same opening move, different follow through.
- 3Two prices side by side in the first second.
- 4A member saying it in her own room, captions carrying it for a viewer with the sound off.
Three that show the claim instead of stating it
Each of these takes a line that would have been a caption and makes it something you watch happen.
- One asks a question before it explains anything.
- The other two walk you through the thing itself instead of describing it.
- 1A quiz that makes you answer before it explains anything.
- 2The amenities are shown and not listed.
- 3The same claim as the testimonial above, with nobody in it.
A sequence that earns each card
A swipe set only works if every card gives somebody a reason to move to the next one.
- This one opens on who it is for.
- Three cards show the product is real in places a buyer might go.
- It asks for something only at the end.
1
2
3
4
5
Composed for every frame
A resize is not a version
Every idea had to run in places that crop differently and are watched differently.
- Dragging the corners of a layout does not survive that.
- Each of these is one idea composed twice.
- The differences between the two compositions are the work this chapter shows.




One picture, every shape it ran in
The same photograph rebuilt for the wide banner, the square, the portrait and the strip.




The price on the photograph
A home and what it costs, in one frame, then the same home from other rooms.